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Or, maybe it wonвЂ™t, and this is just the beginning of the age of superheroes. Maybe thatвЂ™ll happen and Hollywood will be forced to create new, original movies.

Maybe not this year, maybe not next but at some point in the future, we will collectively grow tired of watching Oscar-nominated performers dressing up in spandex and punching CGI bad guys. It is possible that superhero movies, and their reign over Hollywood, will eventually crumble. After their merger, Disney has decided to shut down one of 21 stВ Century FoxвЂ™s production companies, вЂњFox 2000,вЂќ which specialized in mid-budget movies such as вЂњHidden Figures,вЂќ and, вЂњThe Devil Wears Prada.вЂќ The odds of Hollywood producing another classic like вЂњPrada,вЂќ have dramatically decreased. None of which is to even mention the continued decline of mid-budget movies, a phenomenon set to worsen. Some, such as вЂњBlade Runner 2049,вЂќ (a personal favorite of mine), have already failed to connect with audiences despite critical acclaim. Blockbusters which dare to be original or experimental become a major risk for studios to take. It poses some major dilemmas for the future of cinema, which are already playing themselves out. There have been some recent superhero flops (вЂњJustice League,вЂќ was an embarrassment, but that was back in 2017), but not enough consecutive flops to suggest a genuine lack of interest in superhero movies. There arenвЂ™t any major signs that theyвЂ™ll lose their grip on audienceвЂ™s wallets, either. Disney and Warner Brothers, the producers of Marvel and DC movies, wield a staggering level of power over the global box office. TheyвЂ™re practically guaranteed to succeed, as people line up in droves (myself, unfortunately, included in said droves) to see them, overlooking other releases. Superhero movies, those produced by Marvel Studios in particular, have become a kind of cultural monolith. On the other hand, as a moviegoer, this is a worrying development. The massive box office receipts guarantee more superhero movies to be made in the future, including both sequels to movies I already liked, and new and intriguing franchises. On the one hand, as a fan of these movies, this has been an exciting development. There are more superhero movies coming out later this year and next (such as вЂњSpider-Man: Far From Home,вЂќ in July, and вЂњWonder Woman 1984,вЂќ in June of next year) which seem similarly destined to break the bank. (No, seriously, вЂњAquaman,вЂќ made that much money).

Superhero bubble explode movie#

вЂњAquaman,вЂќ for example, is a movie about a guy whose powers involve talking to fish and grossed over $1 billion. These past two years alone have seen comic book movies, anchored by characters who are either obscure or ridiculous, become sizable hits. MarvelвЂ™s вЂњAvengers: Endgame,вЂќ for example, has recently made over $2 billion in just under two weeks itвЂ™s on track to become the highest grossing movie of all time, usurping James CameronвЂ™s вЂњAvatar,вЂќ (a mediocre movie beloved by no one and remembered only for its box office returns). Superhero movies are perhaps more in-demand now than they ever have been. Instead, it seems that the opposite of what I predicted is coming true. While superhero movies broke records at the box office, audiences would inevitably lose interest in them, and the genre would go the way of the western. A few years ago, it seemed pretty clear to me that the superhero movie bubble would burst.